The proposed Remote ID regulations might surprise many in the TV, film and production industry. Remote ID will seriously change how most productions currently use drones, from canyon aerials in TV commercials to western towns in the desert. Remote ID may not have considered these high paying jobs.
These drone pilots face some of the steepest costs associated with equipment, thus they have a lot of skin in the game. Let’s just say, the proposed Remote ID might not be TV friendly.
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Timestamps
- [01:15] Paul welcomes Kenji Sugahara to the show
- [03:07] What inspired Kenji to become actively involved in drone advocacy?
- [04:26] Kenji shares how flying indoors might no longer be possible with a remote-id compliant drone
- [07:07] What is drone remote id? And what are the two different ways that a commercial pilot can comply with this proposed rule?
- [08:26] Is it fair to implement network-based remote id when it infringes on the drone pilot’s privacy?
- [09:43] What sort of private information will be accessible to the general public if these proposed rules go through?
- [10:55] Is it possible to encrypt a drone pilot’s location?
- [11:32] Why privacy is critical for the film and movie industry
- [12:44] Will you be able to fly without internet connectivity?
- [14:25] Will it make it more difficult to fly heavy-lift drones?
- [16:18] Will a drone pilot have to invest in additional drone accessories to comply with these proposed rules?
- [20:10] Is broadcast-based remote id a more feasible option?
- [21:10] How implementing drone remote id will seriously hurt STEM education
- [24:16] How can you do you bit as a responsible member of the drone community?
- [30:36] How this proposed rule will result in out of compliance hardware, and eventually loss of jobs
- [34:37] Is there a perfect and workable drone remote id solution that will propel the industry forward?
- [38:30] Kenji shares his contact information